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女巫1967
DVD
喜剧片
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
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目击证人1973
DVD
剧情片
故事讲述的是年轻的已婚女子Roberta深夜开车回家，不幸意外撞见一宗残忍的谋杀案，一位金发女子临死前恰巧倒在她的车前。当Roberta为了躲避残忍的凶手而逃走并寻求帮助报警之后，回到案发现场时，却发现凶手和死者的尸体都不见了。警方甚至连血迹都无从获得，不禁怀疑起Roberta的精神是否正常，更恐怖的是那名凶手仿佛也盯上了Roberta，准备伺机杀人灭口....
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目击证人
正片
恐怖片
故事讲述的是年轻的已婚女子Roberta深夜开车回家，不幸意外撞见一宗残忍的谋杀案，一位金发女子临死前恰巧倒在她的车前。当Roberta为了躲避残忍的凶手而逃走并寻求帮助报警之后，回到案发现场时，却发现凶手和死者的尸体都不见了。警方甚至连血迹都无从获得，不禁怀疑起Roberta的精神是否正常，更恐怖的是那名凶手仿佛也盯上了Roberta，准备伺机杀人灭口....
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一个警察局长对共和国检察官的自白
正片
剧情片
该片讲述了一个牧羊少年因目睹一起杀人案，竟被人推下悬崖。一个平民在孤独的抗议，被当街射杀，尸体在流血，无人问津。正直的警察局长蓬纳维亚早就对法律的公正丧失信心，雇凶不成，就自己充当杀手，干掉了这一切罪恶的幕后黑手——一个名义上的地产承包商罗蒙诺。而自己在自首后，被买通的犯人在狱中杀害。
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意大利式结婚
HD
喜剧片
一次意外中，多米尼克（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）救下了美丽的女子费鲁美娜（索菲娅·罗兰 Sophia Loren 饰），两人一见钟情很快陷入了热恋之中，可惜多米尼克是一个花花公子，随着时间的流逝，他不再专情与费鲁美娜，转而投入了别的女人的怀抱。 费鲁美娜虽然身份卑微，却是专情之人，为了能够成为多米尼克的妻子，她甚至不惜使用了一些欺骗的手段。不幸的是，多米尼克识破了费鲁美娜的谎言，费鲁美娜再度面临着和爱人分离的处境。费鲁美娜有三个孩子，她告诉多米尼克，这其中有他的亲生骨肉，直到这时才良心发现的多米尼克回到了费鲁美娜的身边，但他始终不知道自己的亲生儿子究竟是哪一个。
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五天
HD
喜剧片
1848年，意大利独立战争期间的米兰，一个小偷凯纳佐（阿德里亚诺·塞兰塔诺 饰）趁着战乱逃出了监狱，遇到了年轻又天真的面包师罗莫洛（恩佐·塞鲁西科 饰）。两个人忍着饥饿在米兰街头闲逛，目睹了奥地利人的侵略、贵族的反抗等一系列历史事件，也荒谬地被迫卷入这场战争。他们经历了滑稽的爱情，也遭到了不幸的背叛，还曾正义地拔刀相助。两个人也逐渐成为了挚友，并见证了上流人士的虚伪及麻木。就在这时，他们遭遇了战争的无情打击……本片是意大利恐怖片大师达里奥·阿基多唯一一部非恐怖题材的影片。