死亡空间：余波

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欧美动漫

　　时空背景设定在2509年，地球不只与USG石村号（USG Ishimura）和伊萨克．克拉克失去了联系，同时也与派去救援他们的USB欧班农号（USB OBannon）失联。欧班农号上有四名船员存活了下来，但是没有人知道其他成员的下落，也没有人知道他们遇上了什么事情，更没有人知道他们究竟隐藏了什么样的秘密。这一切的一切，全都将透过《余波》来揭晓

我的心跳你做主

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恐怖片

　　托马斯体弱多病，靠人血为生。他的两个哥哥——德怀特和杰西在照料他时起了争执：为了让弟弟活下去，他们身后已尽是尸体，德怀特一直在这样的现实与代价中挣扎。后来，他结识了当地的性工作者帕姆，付钱和她聊天，渴望借此摆脱梦魇，重获新生。然而，当德怀特开始疏远自己的家人，杰西也将不惜一切代价让他回家。

镜子的另一面：纽波特民歌艺术节1963~1965

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欧美综艺

　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

变种特工

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欧美剧

　　Jake Foley is a computer technician for the NSA who secretly longs for a chance to work on the field. Circumstance puts him in a top secret laboratory, in the middle of a shootout between security guards and a saboteur. During the battle, a vial containing an experimental serum explodes, covering Jake with shrapnel. But it turns out that the serum is actually nanomites, microscopic submachines that heal his injuries and alter his body. Upon discovering his new mind-boggling powers, Jake begins to operate at an atomic level, possessing superhuman strength, lightning-fast speed, heightened hearing, magnified vision and the ability to communicate telepathically with computers. The NSA soon realizes Jake is an untested asset and forms a Special Ops team with him at its core. As Jake finally realizes his dream of being of being a field operative, he must also contend with the return of would-be girlfriend Sarah Heywood, who is involved in a Congressional investigation which threatens to expose his operation.

天生冤家 第二季

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欧美剧

　　改编自Neil Simon经典喜剧，由马修派瑞担任制片、编剧并主演。“Odd Couple”讲述的是两位大学校友在各自经历了离婚风波后，同住一间公寓成为室友的故事。by:meijubar.net

相信我，我是兽医

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欧美综艺

拉斯维加斯往事

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欧美剧

　　CBS早前公布了新一季4部新剧的预订计划，近日电视网又集体发布了所有新剧的全长版预告片。作为CBS今年所有新剧中电影咖分量最大的，由丹尼斯·奎德参演的《维加斯》厚重的主题和硬朗的气质无不让人侧目。预告片同样展现了恢宏的气势和动人心魄的故事梗概，看腻了女人间宫斗的剧迷也许可以从男人间的角力中感受久违的雄壮和大气。　　剧情简介：　　　　背景是上世纪60年代的美国，Lamb是第4代的牧场主，负责将秩序带到拉斯维加斯，那个赌博和娱乐的圣地。丹尼斯·奎德将饰演Ralph Lamb，他想平静地离开，去经营他自己的牧场，但是彼时的拉斯维加斯外来者涌入，腐败现象甚至已经入侵到他简单的生活。注意到Lamb在二战中曾担任军警的经历，维加斯市长招来他担任警长，并调查一起赌场工作人员的谋杀案。就此，Lamb展开了和迈克尔·切克利斯饰演的Vincent Savino之间的恩怨。Savino是一名来自芝加哥的残忍的恶棍，他计划将维加斯占为己有。　　　　　　有两名副手在协助Lamb维持法律与秩序，一个是他很有手腕，一碗水端平的兄弟Jack(杰森·奥玛拉)，另一个则是他帅气迷人却冲动的儿子Dixon(泰勒·汉德雷)。雄心勃勃的地方检察官Katherine O’Connell(凯瑞-安·莫斯)则从小就是Lamb的邻居，在牧场长大，所以经常向他们伸出正义之手。在拉斯维加斯，两个强大的男人，Lamb和Savino，将在这片沙漠中的绿洲上展开一场激烈的斗争，对于他们俩，都是决不能退缩的。

回家的日子

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剧情片

　　玛蒂离家多年，弟弟担负起照顾家中重病母亲的责任。无数的日子过去，玛蒂的房间仍维持原样，时间好似因思念而静止在她离家的那一刻。有天玛蒂突然返家，即便当年的不满情绪依然存在，面对母亲即将不久人世，过往相处的回忆让她选择重拾亲情的温暖羁绊。本片为导演首部长片作品，取材自身经历，以充满诗意的画面诉说对母亲的情感。

以眼还眼2019

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　　马里奥是位护士，他马上就要有第一个儿子。安东尼奥·帕丁是个知名的制毒师，但由于疾病，不得不依附他的家人。家族的生意现在由他的两个孩子，东尼和奇凯掌握，他俩马上要进行一项充满风险的贩毒行动。当他们的人生相交错时，所有人都选择了共同的道路：复仇。　　这是一个关于背叛，毒品，家庭争端与暴力的故事。

The.Last.Days.of.Judas.Iscariot

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　　改编自剧作家Stephen Adly Guirgis 的《THE LAST DAYS OF JUDAS ISCARIOT》中的一节。

亲爱的厌食症

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　　réalisation Judith Du Pasquier　　un film de Sylvie Quesemand Zucca et Judith Du Pasquier　　production Abacaris Films　　coproduction : ARTE France　　avec la participation de LCP Assemblée nationale　　soutien Fondation France, CNC, DICOM, Paroles et Cultures, PROCIREP et ANGOA　　diffusion ARTE France　　L’anorexie reste une énigme pour les familles, pour les médecins, pour les jeunes filles elles-mêmes. Pourquoi donc s’imposent-elles ces privations extrêmes ? En France et en Europe, les récits éclairants de femmes guéries et les réflexions de soignants très impliqués abordent l’univers complexe des anorexies contemporaines et explorent les nouvelles manières de soigner.　　Sélection Prix Média d'Enfance Majuscule 2017