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催泪剂
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Emotionally vulnerable women are preyed on by a charming psychopath who wants to suck their tears.
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无情的女人
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ClaireLescotisafamousprimadonna.Allmenwanttobelovedbyher.AmongthemistheyoungscientistEinarNorsen.Whenshemocksathim,heleavesherhousewiththedeclaredintentiontokillhimself...Butthestoryismuchlessimportantthanthescenery:thismovieintendedtobeamanifestoofthemoderndecorativearts.
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在劫难逃
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艺术教师欠下了巨额的债务，而他的债主是一名无情的黑帮老大。黑帮的压迫与逼债使教师身陷绝望，无处可躲。在迫不得已之际，教师准备绑架一名棒球运动员的女儿，以此胁迫对方家长，希望可以还清债务。令他没有想到的是，绑架事件意外重重，每一件事都在深深地拷问着他的心灵。事实上，作为一个本性善良的人当他谋划绑架女孩时，就预示着他的计划将会以失败告终。
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二流警探
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Highsmith（塞缪尔·杰克逊 Samuel L. Jackson 饰）和Danson（道恩·强森 Dwayne Johnson 饰）是一对无坚不摧的完美搭档，纽约警局里的超级精英，也是警界人士的...
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幻影凶间
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根据著名作家史蒂芬·金同名小说改编。恐怖小说家麦克（约翰·库萨克 饰）喜欢带着科学设备到闹鬼的地方探险，以收集写作素材。这次他选择了海豚酒店，不顾酒店经理（塞缪尔·杰克逊 饰）的强烈劝阻，住进了曾有多名住客自杀的1408号房间。麦克如愿以偿的经历了很多恐怖事件，彻底改变了他之前对灵异现象的看法。当他终于承受不住一波一波的恐怖攻击，准备离开1408号房间时，最恐怖的事情发生了：他用尽办法也无法离开。
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西力传
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故事发生在三十年代的美国，随着经济和文化的蓬勃发展，一个名叫西力（伍迪·艾伦 Woody Allen 饰）的男人横空出现在了人们的面前。这个神奇的犹太人被发现混迹于各种各样相去甚远的交际圈里，不同阶级的，甚至是不同种族的，而每当他进入了一个新的环境中，他的身上就会迅速体现出这个环境的特征，有时是心理的同化，有时是生理的变异。 曼哈顿医院的精神科医生们对这个怪异的病人产生了浓厚的兴趣，普罗大众亦然，他们亲切的称西力为“变色龙”，一大批以他为主题的文化和商品应运而生，一时间，西力成为了这个时代最炙手可热的巨星。可是，真正将西力当做一个病人来关心的只有尤朵拉医生（米亚·法罗 Mia Farrow 饰），年轻又执着的她致力于治愈他的疾病。长此以往，西力和尤朵拉之间建立了深厚而又真诚的感情，这对立场特殊的爱人能否终成眷属呢？ 导演伍迪•艾伦自导自演，以伪文献伪记录的方式，生动又真实的重现了本为虚构的西力的一生。
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芭比梦幻仙境之彩虹仙子
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欧美动漫
一直以来，艾莲娜（Kelly Sheridan 配音）都过着无忧无虑的生活，整日和花朵仙女们、唱歌、跳舞，开心又自在。不幸的是，一场可怕的疾病传染了开来，花朵枯萎失去了往日的颜色，同伴们亦郁郁寡欢再也不能自由的飞向，看着昔日的乐园变成了如今的荒芜，艾莲娜心痛又焦急。 传说守护天使阿祖那（Venus Terzo 配音）知道解决这一切麻烦的方法，可她却身处遥远的梦幻仙境之中，为了拯救赖以生存的家园和朋友们，勇敢的艾莲娜义无反顾的踏上了冒险的旅程。在漫长而遥远的旅途中困难重重，善良天真的艾莲娜会遭遇怎样的奇遇呢？她又能否顺利的完成任务，重建美好的家园呢？
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少年尼克的烦恼
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改编自同名小说与真实故事，萨波最好的朋友自杀了，16岁的他，开始在部落格写下日记，描述他的青春期生活、性启蒙与双性恋身分。看似普通少年的人生，在一场场的舞会与音乐派对中，流泻自我探索与身分质疑，让人感同身受，原来每个男孩都有一段忧郁迷人的「我的青春」。
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三十六小时谍报战
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战争片
乔治·希顿编导的上乘战争片，剧情重点不是一场战役，而是一场布局精妙的心理战。剧情描述美国情报员杰佛逊·匹克在诺曼第登陆战前两天被德军绑架前往德国巴伐利亚。当派克从昏迷中转醒，发现他置身于盟军的一家医院中，而且此时战争已经结束，他还有了一个妻子叫安娜。精神病医生华特·格伯要跟匹克讨论他的失忆症，其实是想从他口中套出诺曼第登陆的军事情报。在关键时刻，匹克发现了这原来是一场骗局，乃跟德军玩猫捉老鼠的斗智游戏，最后更在格伯协助下逃回盟军阵地。悬疑性浓厚的情节始终掌控着观众的好奇心，三位主角詹姆斯·加纳、爱娃·玛丽·森特、罗德·泰勒也都表现出色，可惜压轴的逃亡动作戏拍得比较一般。
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四季商人
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曾经是一名警察的汉斯（汉斯·希尔斯缪勒 Hans Hirschmüller 饰）因为被妓女诬陷而丢掉了工作，为了糊口，心怀大志的他不得不成为了一名水果小贩。汉斯无法取得心爱姑娘的父母的信任和赏识，已经到了成家年龄的他最终娶了名叫伊尔姆加特（伊尔姆·海尔曼 Irm Her mann 饰）的女人。 自打结婚后，汉斯的人生正式走上的下坡路，伊尔姆加特的粗暴和无礼为汉斯的不如意雪上加霜。汉斯得了心脏病，在住院期间，独守空房的伊尔姆加特耐不住寂寞，和邻居安策尔（Karl Scheydt 饰）之间发生了不道德的关系。出院后的汉斯已经无力再沿街叫卖水果了，改为摆水果摊。一次偶然中，他与战友哈里（Klaus Löwitsch 饰）重逢了，尽管哈里给汉斯一家带来了不少的快乐，但他依旧无法阻止汉斯走向绝望。
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木雕家斯泰纳的狂喜
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德国狂人导演维尔纳·赫尔佐格作品，前跳台滑雪世界冠军瓦尔特·斯泰纳非同寻常的肖像作品。影片重点是斯泰纳在1974年3月参加世界滑雪飞行周时，站在普兰尼卡（斯洛文尼亚）大跳台上的比赛。音乐响起，赫尔佐格的宗教飞起来了。木雕家和飞行者是同一个词的两个反面，是同一个灵魂的两种形态…
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造物的奇迹
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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灵体盛宴
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Ruth Paxton’s women-led horror sees a mother tested when her daughter insists that her body is no longer her own, but in service to a higher power.
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德古拉同志
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Comrade Draculich is a romantic vampire tale set in the cold war era. In the early 70's, Fabian the vampire returns home to the People's Republic of Hungary from the imperialist west, and immediately becomes a target of the communist secret police. During surveillance, love unfolds between the vampire and Maria, the young female comrade, who is assigned to spy on the mysterious stranger. She must make a choice between a monster and the regime that exploits her. This satirical love story mixes elements of spy and vampire movies. Through its depiction of the paranoid Hungarian communist regime, it reflects on our present, where surveillance is a global concern.
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荣耀六十年
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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无情的女人
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Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared intention to kill himself... But the story is much less important than the scenery : this movie intended to be a manifesto of the modern decorative arts.
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疯子1980
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弗兰克（乔·斯皮内尔 Joe Spinell 饰）和母亲过着相依为命的生活，虽然母亲常常虐待他，但弗兰克对母亲还是有着深深的依恋。在一场意外中，母亲不幸丧生，痛不欲生的弗兰克常年压抑的扭曲性格终于爆发了，他将自己的悲伤和愤怒都发泄在了杀戮之中。 弗兰克常常诱拐无知的年轻女性回家，杀死她们，并且残忍的损坏她们的尸体，这种种行动能够让弗兰克发泄心中的压力，修复回忆的伤痛。一天，弗兰克邂逅了名为安娜（卡罗琳·莫罗 Caroline Munro 饰）的女子，很显然，他选择安娜成为了自己的下一个目标。弗兰克对安娜展开了火热的攻势，而安娜很快就就范了。
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外星恋1984
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科幻片
约翰．卡彭特导演的这部科幻片并没有强调特技噱头，反而将重心放在异乡人的主题上，而且拍出了相当浪漫动人的气氛，甚至可以将它当作一部取外星人为主角的文艺片来欣赏。杰夫．布里奇斯饰演一名纯真的外星人，他的宇宙飞船被地救人击落，掉在威斯康辛州的荒野。他负伤来到新近丧偶的寡妇凯伦艾的家中，并且借用她丈夫的身体来延续生命。在学习地球人的生活方式过程中，他跟寡妇发生了感情。外星人的救援队将在三天后到达亚历桑纳州接他回外层空间，他需要寡妇开车送他到那里。地球上的两位政府官员也接获讯息，他们决定不管生死都要捉住外星人，因而引发了一场精彩的拉锯战。
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呐喊赤子心
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~这部电影捕捉到摇滚乐最初的样貌，以及它如何对一个世代造成影响~ 音乐老师杰克(约翰屈伏塔饰)来到小镇任教，他被限制只能教导传统音乐，但是音乐无法被限制.年轻学子要求杰克将摇滚乐介绍给他们。他的学生像是著了魔一样，无法跳出摇滚乐的魔力之外，他们做的也正是一般青少年会做的事就是--反抗体制。
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切莫回复
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恐怖片
内向的高中生Chelsea（Amanda Arcuri饰）通过社交平台被人绑架，并被迫模仿绑架犯Brad（Jackson Rathbone饰）俘虏的其他女生。Chelsea试图说服其她女生在Brad将她们变成他VR电影杀人案的被害者之前一起逃跑。
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辣妈辣妹
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喜剧片
黛丝（杰米•李•柯蒂斯 饰）是一个心理医生也是一个单亲母亲，独自抚养女儿安娜（林赛•洛翰 饰）与小儿子。但黛丝跟安娜的关系一直不好，两人都看不惯对方的做法。这天她们再次争吵：为安娜乐队及母亲再婚的事，表示如果换做是对方，事情就会有好的结果。没想到她们读了一位奇怪老婆婆所给的小纸条后，竟然互换了身份。惊恐中她们不得不接受事实，互相配合做好各自的事，这期间经历的事，才让母女认识到各自的生活，理解到各自的感受。但黛丝的婚礼就要进行了，身份还没法换回……
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爷爷的人生滑板
HD中字
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曾為一家之主的爺爺，在家裡的地位越來越卑微，甚至感到家人無視於他的存在，所以他想出一個能夠喚起關注的妙招：假裝失憶。此舉雖然成功引起關注，卻也讓他陷入一個更大的難關：家人決定宣告他無行為能力，以接管他的所有財產，幸好還有小孫子帶他一起溜滑板，令他開啟如同滑板的人生，溜出全新的自我！
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